Maastricht, in the Netherlands, is the picturesque city that gave its name to the famous treaty signed in 1992 by the twelve nations of the European Community at the time, and which paved the way for the foundation of today’s European Union and the single currency, the euro.
Maastricht, however, is also the home of “Tefaf”, the most important art and antiques fair in the world. The art work “Persepolis” by the Italian artist Luca Pignatelli was already scheduled when the commission ordered it removed. The work, built in 2016, combined a Persian Islamic rug and a female head. “We are all humbled and speechless”, Pignatelli declared, pointing out that his work had initially aroused the enthusiasm of the commission. The fair’s explanation was that Pignatelli’s work was “provocative“.
The officials of fair presumably did not want to offend Islam and possible Muslim buyers with Pignatelli’s combination of the mat (used by Muslims for prayer) with the woman’s face. “We are shocked, this is the first time this has happened and I think it is legitimate to talk about it”, Pignatelli said. “If in Rome it can happen that you decide to veil art works to avoid offending foreign visitors, well, I do not agree”. The reference is at the Italian government decision to veil the antique Roman statues to avoid offending Iran’s visiting President Hassan Rouhani.
If Europe wants a future, it should be less ideological about Maastricht’s treaty and more against Maastricht’s capitulation to fear. The brave Algerian writer Kamel Daoud said:
“Those (migrants) who come to seek freedom in France must participate in freedom. Migrants did not come to seek asylum in Saudi Arabia, but in Germany. Why? For security, freedom and prosperity. So they must not come to create a new Afghanistan”.
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